#The quincy austin full#

To account for all the extra travel time getting to the airport, Plane and just wanted to know the time in the air from city to city.īut for most of us, we're going to be flying on a commercial airline In the quick calculation above, we assumed you had a private

#The quincy austin full#

The way, check out the full road trip planner: Recommended restaurants, hotels, and things to do along To see all the details on this itinerary, including Next, drive for another 3 hours then stop in Dallas and stay for 3 hours.ĭrive for 1.5 hours then stop in Waco and stay for 1 hour.įinally, drive for about 1.5 hours and arrive in Austin. The next day, drive for about 1.5 hours, then stop in McAlester and stay for about 1 hour. Next, drive for another 1.5 hours then stop at Lake of the Ozarks and stay for 1 hour.ĭrive for 1.5 hours then stop in Springfield (Missouri) and stay for 1 hour.ĭrive for 3 hours then stop in Porter. Travel time: 15.5 hours on the road with 1 overnightĭrive for about 2 hours, then stop in Columbia (Missouri) and stay for about 1 hour. With the full itinerary planned out, we can estimate Helping you figure out travel plans in detail.īased on the length of this trip, we think you could spread out this fun road trip over more than one day. If it's a real road trip, you might want to check out interesting stops along the way, eat at great restaurants, and maybe even find a hotel to stay overnight. Let's say you're actually planning a road trip to Austin, and you want to stop along the way to rest. Into account all these factors to get a more accurate estimate Scroll down to see a more realistic calculation that takes

Include how many minutes to get to your local airport, waitįor security, board and taxi on the runway, land at the otherĪirport, and get to your destination. In that case, your travel time would really need to This is a medium length flight, so unless you have a nice private jet, you might be booking a commercial flight. Your plane flies much faster than a car, so the flight time is about 1/7th of the time it would take to drive. The straight line flight distance is 114 miles less than driving on roads, which means the driving distance is roughly 1.2x of the flight distance. For a long distance, this appears as a curve on the map, and this is often the route that commercial airlines will take so it's a good estimate of the frequent flyer miles you'll accumulate as well. 'as the crow flies' which is calculated using an iterative Shortest distance is actually the 'great circle' distance, or Because of the curvature of the Earth, the This may not be a set that you'd put on a whole lot, even if the first three discs work expertly as collections spotlighting Jones' various strengths, but this set couldn't have told Quincy Jones' story better, and it's worthy of being called a musical biography.Now let's assume you have a private jet and you can fly in theįastest possible straight line between Quincy, Illinois andĪustin, Texas. That final volume may accurately represent the final chapter of his career, but apart from the great urban ballad 'One Hundred Ways,' it's pretty dull, illustrating why these meticulous studio concoctions of Jones are misconceived but the other discs are pretty terrific, not just capturing the essence of his work in each style, but drawing connections where you might not think connections exist - especially on Hit Man, as Lesley Gore's girl group 'You Don't Own Me' rubs shoulders with the Brothers Johnson's 'Stomp!,' and it's possible to hear Quincy's work on both. Finally, there's 'The Dude Throws Down,' consisting entirely of selections from his star-studded collaborations of the late '80s and '90s. The third is Hit Man, which is devoted to his productions and arrangements for other artists, including Michael Jackson, Frank Sinatra, George Benson, James Ingram, the Brothers Johnson, and Paul Simon. The second is Gone Hollywood, meaning that it contains selections of his work for motion pictures and television, including his productions for other artists ( Ray Charles' 'In the Heat of the Night,' Diana Ross and Michael Jackson's 'Ease on Down the Road') and songs he cut that later were popularized in movies ('Soul Bossa Nova,' otherwise known as the theme to Austin Powers). The first is Jumpin' in the Woodshed, devoted to Quincy Jones the jazzman, featuring sessions that he led and mostly sessions where he was a sideman. That's because this box set really does tell his story, partially because its four discs are divided so cleanly. Although Rhino's four-disc box set, Q: The Musical Biography of Quincy Jones, was released to coincide with Quincy Jones' autobiography, and that's what gives the set the title, the set would have an appropriate moniker even if Jones hadn't put his life story to paper.