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The bassRESTOR fills in the gaps and adds just the right amount of bass back into your music. If you listen to classic rock, older hip-hop or Banda music, you know that something is missing. Anyone think carbs are better than EFI in cars and motorcycles too? EFI is better all around DIGITAL controls, runs better, less waste, less pollution, just like digital audio, it works better.There are certain types of music that just don’t have enough good, low bass. DSD/DACD just glorious music done easier.Maybe SACD/DSD II is coming EMMLABS takes CD up over DSD sampling rates, I gots to hear one soon, how much can they push CD 44.1 rate, and does it get that much better? DSD is it baby, best thing out there so far, till it gets bettered. Snap crackle pop, on $100,000 TT is still snap crackle pop off a $300 TT. Wonder if horse drawn carriage makers held onto making hore whips and stuff as automoblies came moving on in, and they tried to deny reality.

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Wonder what school teaches business how to sell this stuff to the gullible? Even the pro audio purbications, say, Digital is it!! Control, ease of use, much more options to do stuff, and the price keeps coming down, and giving you more quality and options. $100,000 TT, yupper, that doesn't do it either. One of teh reasons the CD was has error correction!!! Obsolete vinyl is not covered. $100,000 TT should have all the LP accessories, de warper, cleaner, everything to make LP vinyl PERFECT. ? Oh, sometimes these LP are irreplaceable, that's right? Lay them out on a flat try on a day liek today at 90 in teh sun, warp is gone.But small warps don't matter it's those really sharp ones, that make teh tone arm jump, if teh arm is junk, or mis adj'd.

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Wonder if it has some of that current Chinese high quality added in? UL listed, contaminet free plastics? $100 to melt plastic that cost $20. Furu***.LP de warper!!!! $1800 mini oven.hehehehehehehehe. When pricey tonearms and expensive spinning platters on a bearing can't defeat warped records, wiping out woofers, there is the need for the $1800. I don't care how high end the equipment is because in the end there is a cost accounting principle that plays into the overall design. Manufacturers are not going to put a button on something that no one really wants. We seem to agree basically on the same thing. The secret to great sound is the quality of the medium and not necessarily the equipment.īut back to the original question. It's like going quail hunting with a 10 gauge shotgun. I see no sense in spending hundreds and thousands of dollars on turntable equipment that is limited to what was put on the analog vinyl. I'm not really into all the hype on high end turntable equipment. The AT3600 cartridge and stylus is a $19.95 setback. Since the AT3600 is more economical I have been using it rather than replace replacing expensive styluses for expensive cartridges with minimal value added increase in performance. That you can spend thousands more so you can get a few decibels from the symbol from your favorite track in your room. It's cheap as shit at about $99 or less but nobody wants to make a comparison because they know what they will find out. In fact the Audio Technia AT-PL50 and its various re badged forms from Radio Shack to TEAC is not a bad turntable.

I've used Grado, a higher end Audio Technica, as well as, the AT3600 and I can't hear a difference, such a difference, that I'm proud to have bought the higher end cartridges and related needle. I have not seen anything along the line of comparison with high end equipment. This brings me back to why is the current turntable industry relying not on high end equipment but things like the standard AT3600 needle and cartridge that seem to get pissed on for no other reason other than they are economical. Well, so much for $100k turntables that can't compensate for vinyl that isn't perfectly flat. # Highest grade wiring throughout - internal litz wiring (cryogenicaly treated). # Counterweight designed for low vertical inertial and high transverse inertia (advantageous to hold cartridge steady) # Bearings for horizontal movement using highly specified low friction bearings conventionaly oriented 2 single points in sapphire cups, widely spaced to mimic gimbal bearing stability but with much lower friction. # Low friction, completely stable dual pivot bearing design for vertical movement. # Highest grade materials used throughout # New armtube incorporating bi-metalic technology to reduce resonance and increase rigidity

You can listen to it but I'm just going to stare at it going around and around wondering how did it get melted. But, well, for crying out loud what is all the hype about tonearms for? And a record that is excessively warped is useless.

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